A nine-day solo art exhibition titled ‘Journey of the Cosmos’ by artist Masudur Rahman began at the La Galerie of Alliance Française de Dhaka on Friday.
The exhibition was inaugurated in the presence of Dhaka University professor emeritus Syed Manzoorul Islam and renowned artist Monirul Islam, who attended the event as special guests, according to a press release.
Masudur Rahman, known for his creative approach to art, sees drawing as a cosmic journey where lines act as his spaceship.
This unique perspective allows him to dive into the deep and mysterious world of art, which he finds as a source of joy in life.
For Masudur, the universe is expressed through his artwork, where the human figure plays a central role.
Speaking at the event, Masudur Rahman shared, “This infinite emptiness is our basic form. I am created from within that void, once in form and once in formlessness.” He further explained that his art represents both shape and formlessness, which he describes as ‘life.’ This duality is what makes his artwork a blend of embodiment and abstraction.
Masudur Rahman’s works are created using various mediums, including ink, acrylic, and watercolour.
He draws inspiration from ancient Indian art and the renaissance period, blending traditional styles with his unique vision.
The exhibition ‘Journey of the Cosmos’ showcases his exploration of space and form, giving visitors a chance to see the depth of his artistic journey.
The event is open to art lovers and the general public and will run until September 14. Visitors can explore the artist’s works and experience his cosmic journey through his detailed and expressive art pieces.
Visitors to Masudur Rahman’s ‘Journey of the Cosmos’ art exhibition were deeply moved by the unique blend of form and formlessness in his work.
Anika Rahman described his art as a mesmerizing journey where the universe and humanity collide, praising his ability to capture profound concepts with simple lines and colors.
Rashed Karim highlighted the spiritual vibe of Masudur’s pieces, noting how they reflect his deep connection to his roots by blending traditional Indian art with modern elements.
Sadia Akhter felt a sense of light and darkness, form and void, in his paintings, emphasizing the human figures floating in endless space as symbols of our connection to the universe. Naimul Islam was struck by the emotional depth, particularly admiring the delicate, ethereal quality achieved through the use of ink and watercolors.
Sharmeen Khan found the exhibition to be a visual treat, appreciating how Masudur’s art feels both ancient and contemporary, showcasing his mastery through intricate details and style fusion. Tanvir Hossain saw the artwork as a meditative journey, reflecting on the philosophical approach to existence and emptiness that invites contemplation. Maria Sultana felt a strong personal connection to the artist’s portrayal of the cosmos, seeing it as both a physical and spiritual exploration that beautifully captures the fragility of life and the boundless possibilities within the void. Together, these reflections paint a picture of an exhibition that not only showcases art but also invites viewers on a profound journey of introspection and cosmic wonder.
